Electro-Rorty Blows Shatner Out of the Water With His Nihilism

This is the musical supplement to today's post on contemporary philosophy.

This is the musical supplement to today’s post on Kreeft’s list of contemporary philosophy.

To my great chagrin Richard Rorty was one of the most influential philosophers of the late 20th century. He made waves with his extremely influential and quick-selling (usually not good signs for philosophy books) The Mirror of Nature. His book pretty much argued what you see and hear in the video below.

Are you feeling the beats?

Confession: How I Lost My Faith After Reading Rachel Held Evans

Bleep-blop-bleep-bleep-blop and the internet was born in my lifetime.

Bleep-blop-bleep-bleep-blop and the internet was born in my lifetime.

I’m around 35 (!) and I can’t say whether I qualify as millennial. But fear not, recent studies suggest millennials remember much less than senior citizens. So let’s pretend that I am one, because they won’t know the difference anyway.

I also don’t remember when I wrote my first essay, but it was with a pencil, because my parents couldn’t afford to have me throwing away paper (we lived in the projects of Detroit). By the time I graduated from college I was using “church” as a verb and couldn’t afford a cell-phone like the rich kids.

I’m old enough to have listened to Nirvana and Pearl Jam on the radio. The popularity of their music convinced me my contemporaries must be as lost in the cosmos I am. My tastes were decidedly classical: from Bach to The Beatles. I’ve only come to appreciate Vedder and Cobain after turning thirty.

You probably have read the Rachel Held Evans piece I reblogged yesterday by now. You probably realize I can’t continue in the same parodic vein, replicating almost every sentence; at some point a parody that parodies every sentence of a sincere statement that reads like a parody becomes serious. And who wants that?

Rachel Held Evans: worried Evangelicals are getting high.

Rachel Held Evans: worried Evangelicals are getting high.

From what I gathered: Held Evans seems to be most worried about Evangelicals leaving the fold for the high traditions such as Catholicism, Orthodoxy, Episcopalianism, and Lutheranism. Why this should be a problem is beyond me.

But she doesn’t seem to notice the “high traditions” are also bleeding membership. You can check the statistics at your preferred statistics caterer. Former Catholics are now the second largest religious group in the United States, only behind practicing Catholics.

I’m convinced (and I’m not the only one) that Catholicism is blowing its Catholic Moment because it has idolized assimilating to America. This applies to the Republican-Catholic party at prayer as much as it does to the Brikenstock-wearing priest from the Newman Center who is always talking about the “spirit of…” and asked you whether you were Opus Dei.

These two groups are a few of the many signsposts in our strange land. They point to the futility involved in accommodating to the Americanisms of any epoch. By the time the identity politics of any given generation trickle down to the liturgy those identity politics are out of fashion and lead to even more people trickling down and out. This eternal return then leads to more fruitless discussions about why the young are leaving, more accommodations, and so on.

This is the reason why the main takeaway from the Rachel Held Evans piece, “But I would encourage church leaders eager to win millennials back to sit down and really talk with them about what they’re looking for and what they would like to contribute to a faith community,” is such a throwaway.

My generation (and the generation of students we teach in college classes) is totally clueless. If you ask us we will tell you that we are lost in the cosmos. We have failed at manufacturing our own meaning, because meaning cannot be manufactured like the consumer services and trends mentioned at the start of this (and the Held Evans) piece.

This I believe: I’ve lost faith in myself. I’ve lost faith my generation. They’ve lost faith in themselves (and in me). Leaders in the Church should face up to the real situation, to our collective loss of faith in ourselves (deconstruction was but a symptom not a cause and the best analysis still remains the hybrid masterpiece that is Lost in the Cosmos):

“You live in a deranged age - more deranged than usual, because despite great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.”

Walker Percy, Lost in the Cosmos: “You live in a deranged age – more deranged than usual, because despite great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.”

If church leaders will not provide us with authoritative responses to what’s going on in our deranged and eviscerated public square, with the right (ortho-)spiritual exercises, with the most fruitful paths to follow, with a new Philokalia, or the old one, then it’s not dark yet, but it’s getting there:

We also have a Top 10 list of books about heaven and hell here just in case you believe it’s darker than Zimmy thinks. You will also find a recent post, with a curious title, about the robust presence of faith in the contemporary literary scene here.

What Does Love Know?

Love is an autonomous form of knowledge.

Love is an autonomous form of knowledge.

Jean-Luc Marion is a Catholic philosopher, some say the greatest living philosopher, who studied under Jacques Derrida. If nothing else, he is one of the best arguments for religious parents not shielding their kids from the “secular” academe. I’ve made this argument borrowing from my own experience here.

After all, the influence goes both ways. Derrida spent the last decade or two of his life engaging Marion and the tradition of negative theology in books such as Acts of Religion or The Gift of Death. In the end the king of deconstruction couldn’t shake the queen of the sciences.

What I’m really interested in for today is how Marion has developed the notion of Pascal’s three orders. In particular, how the third order, love, is a distinct form of knowledge.

He explains these orders of knowing in a short interview that’s available online:

“From the first point of view you see the world as visible, according to bodies, matter and the visible world. In that order, the leaders are the king, the president, the CEO of a corporation, the banking system and so on.

The second order is the order of the spirit. This is the invisible world of rationality. It includes the sciences, philosophy, art and literature. You can be completely unknown in the first order and be the leader in this second order. For example, Archimedes was a prince in the family of a king in Sicily, but he was really a leader as a mathematician. Mathematicians, like Einstein, are the kings of this second order.

The third order is charity, love or what art understands. In that order the saints, lovers and Christ are kings.

The lower orders are not seen by the upper orders. The president of the United States is not supposed to be a scientist or a saint. He has a job as president of the United States, period. The second order does not see the third, but sees itself and the first order. The first two cannot see the third order, but the third can see what is going on in the first two.”

Marion has developed detailed accounts of what love knows, how it knows differently than common sense and rationality, in books such as Prolegomena to Charity and The Erotic Phenomenon.

Pictured: Robert Musil.

Robert Musil: “When she spoke of beauty, he spoke of fatty tissue supporting the epidermis.”

One way to suggest this difference is to take a look at what we could call “order mistakes” in one of the greatest novels of the 20th century, Robert Musil’s, The Man Without Qualities:

“His answers were quite often like that. When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis. When she mentioned love, he responded with the statistical curve that indicates the automatic rise and fall in the annual birthrate. When she spoke of the great figures in art, he traced the chain of borrowings that links these figures to one another.”

The comedy here arises out of a confusion of orders. The male character does not respond to the love shown to him with love. Instead of rising to the third order of knowledge he remains mired in the second order of rationality and thereby fumbles the relationship unfolding in front of him.

In fact, a comical mixing of orders of knowledge opens the book and marks almost every page that follows:

“A barometric low hung over the Atlantic. It moved eastward toward a high-pressure area over Russia without as yet showing any inclination  to bypass this high in a northerly direction. The isotherms and isotheres were functioning as they should. The air temperature was appropriate relative to the annual mean temperature and to the aperiodic monthly fluctuations of the temperature. The rising  and setting of the sun, the moon, the phases of the moon, of Venus, of the rings of Saturn, and many other significant phenomena were all in accordance with the forecasts in the astronomical yearbooks. The water vapor in the air was at its maximal state of tension, while the humidity was minimal. In a word that characterizes the facts fairly accurately, even if it is a bit old-fashioned: It was a fine day in August 1913.”

These are fragmentary thoughts, but if one of you develops it into a conference paper, do cite me in the footnotes!

I’ll close by way of example from my own personal encounter with Jean-Luc Marion as his translator in Poland.

Right before going into the translator’s booth for Marion’s lecture about Descartes in Krakow I remember seeing him talking to my wife on the other side of the room. He had his arm around her. Whatever he was saying was of great import, yet it was said with a lot of warmth.

I suppose in the first order this whole scene might appear to someone as a famous philosopher accosting a young woman. In the second order this might appear to someone’s gaze on the level of fatty tissues or birth rates interacting (my wife was pregnant). In the end, my wife confirmed that Jean-Luc Marion had given her some sincere fatherly advice. But I already knew that.

On the day of his departure from Krakow Marion (middle) was having the best hair day between me and the poet Artur Grabowski.

On the day of his departure from Krakow Marion (middle) was having the best hair day between the poet Artur Grabowski and I (left, POOF!).

ATTN: Notre Dame Press Blowout Clearance < 2 Weeks Left!!!

Don't just sit there. Do something!

Don’t just sit there. Do something!

The University of Notre Dame Press is one of our premier academic publishing houses. They’ve been holding a blowout clearance on a great swath of their catalog for almost two months.

There are only two weeks left to get $30-$50 books for only FIVE BUCKS (some of them are ten).

Anyway, the following post contains all the instructions you’ll need to navigate the sale. Don’t forget to enter the checkout code after you select your first book (I bet you can’t stop at just one) and put it in the checkout basket. Afterwards all the other items in your basket will automatically appear with the discounted price (if you’re pressed for cash and want to weed out the ten dollar items).

I ended up buying nine books from them. I’ll spare you the details of each and every one of them. The pictures included in this post are my top three recommendations. Must reads.

FCB of Hillbilly Thomist fame

FCB of Hillbilly Thomist fame

Where in the world is Lech Walesa?

Where in the world is Lech Walesa?

The Prolegomena to Any Future Newman

Milosz on my mind. (Speaking at the Milosz Year 2011 conference in Krakow)

Milosz on my mind. (Speaking at the Milosz Year 2011 conference in Krakow)

Below is an excerpt from an interview with Nick Ripatrazone featured today on his blog The Fine Delight:

Artur Rosman’s site, Cosmos The In Lost, has become a daily read for me: sharp, smart, well-written essays ranging from Catholic theology to art to culture to literature, all delivered with a sense of humor missing from most other religious discussions. The panoply of subjects doesn’t result in slim reading: rather, the opposite. Rosman is able to introduce, elucidate, conclude, and educate; to open conversations rather than close them; to make me reconsider my assumptions about contemporary Catholicism in America and Europe. Here are some of his thoughts on the site, Milosz, Warhol, Nowosielski, American Catholicism and its political stains, and more.

1. Cosmos The In Lost is a rarity: a smart, entertaining blog about Catholic theology, literature, art, and culture. When and why did you start the site?
I started the blog out of desperation. I’m presently writing a doctoral dissertation on the poetry (and theology) of Czeslaw Milosz. This has proven to be tortuous when coupled with a several year writing block. I thought having to write posts almost daily might cure me. The blog-writing is fun; we’ll see about the dissertation.
2. What attracts you to the writing and thought of Milosz?
Milosz was right in the middle of everything. He saw the worst (and the best) of the 20th century firsthand. What’s more, as a poet and thinker with a profoundly Catholic imagination he wasn’t afraid to talk about the neuralgic points the faith still needs to address more clearly for our generation: scientism, totalitarianism, consumerism, and the problem of evil. I like to think of him as the prolegomena to any future Newman . . .

A True Opium for the People is a Belief in Nothingness After Death!

Hans Memling, Last Jugdment, stolen by pirates bought by the city of Gdansk, PL: Hell Ain't What it Used to Be

Hell ain’t what it used to be!  (Hans Memling, Last Judgment, stolen by pirates & bought by the city of Gdansk, Poland. YESSS.)

When was the last time any of you (who don’t attend fundamentalist churches) heard a good and theologically sound hellfire sermon? The last, no the only one, I’ve ever heard was in James Joyce’s Portrait of the Artist as a Young Man. Here it is in its glorious entirety if you need a memory refresher (BE AFRAID!):

Over the last two centuries Hell has been banished from the Catholic imagination more effectively than Adam and Eve from Eden. I suppose the last blows came sometime during the long 19th century dominated by Napoleon, Hegel, Nietzsche, Marx, and Feuerbach.

The infernal trenches of World War I gave hellfire a slight rebound. The whole messy experience cast hell from oblivion back into our world, but not the underworld. It became a truism to say that people not infrequently make hell on earth. The concentration camps and gulags of World War II firmly entrenched hell upon the face of the earth.

Now, to some extent, we also still half-heartedly believe that sin is its own punishment. But why can’t Hell be both the state after life and a state in this present life? I’m all for a Catholic both/and here.

Now, you might ask yourself, why is the author obsessing about hell? Reading the headlines has left me in a bit of a foul mood. Consider what the AP recently said about poverty in the United States:

“Four out of 5 U.S. adults struggle with joblessness, near-poverty or reliance on welfare for at least parts of their lives, a sign of deteriorating economic security and an elusive American dream.”

Four out of five is not a misprint as far as I know. It has unfortunately checked out on all the searches I’ve done so far. I’m still hoping it’s wrong, after all, this is supposed to be one of the richest countries in the world. Then again, our family of five has always been well below the poverty line, so it’s a little comforting to know we’re not alone.

Then this picture showed up on my social media radar as if to drive the point home:

"A true opium for the people is a belief in nothingness after death--the huge solace of thinking that for our betrayals, greed, cowardice, murders we are not going to be judged." --Czeslaw Milosz

“A true opium for the people is a belief in nothingness after death–the huge solace of thinking that for our betrayals, greed, cowardice, murders we are not going to be judged.” –Czeslaw Milosz

I also happened to be reading (because who doesn’t read five things at time?) the book-length dialogue between the then Cardinal Bergoglio and Abraham Skorka entitled On Heaven and Earth. There the future Pope Francis forcefully reminds us of the close tie between authentic religion and social justice:

“Hence the [classical] liberal conception of religion being allowed only in places of worship, and the elimination of religion outside of it, is not convincing. There are actions that are consistently done in places of worship, like the adoration, praise and worship of God. But there are others that are done outside, like the entire social dimension of religion. It starts in a community encounter with God, who is near and walks with His people, and is developed over the course of one’s life with ethical, religious, and fraternal guidelines, among others. There is something that regulates the conduct of others: justice. I believe that one who worships God has, through that experience, a mandate of justice toward his brothers.”

One should not forget that the mandate toward social justice is solely a Judeo-Christian invention. The pay raises of Caterpillar CEO Doug Oberhelman, coupled with the poverty awaiting most of us, signal a return to the much more cruel gods of Graeco-Roman religion. Whether we like it or not, we can look forward to a massive, but unintentional, experiment in comparative religion. It’s unavoidable, since I don’t foresee CEOs suddenly having epiphanies like this one:

Finally, these perfidies of American betrayal and greed bring us to my dissertation topic (what else?), the poet Czeslaw Milosz. After you read a passage from one of his works below you will agree he also happened to have a finely-honed feel for theological reflection.  The following reflection, which comes from the section “The Discreet Charm of Nihilism” (props to Bunuel) in the collection Road-Side Dog, turns Marx upside down, or at least shakes up a well-known phrase of his real good.

“Religion, opium for the people. To those suffering pain, humiliation, illness, and serfdom, it promised a reward in an afterlife. And now we are witnessing a transformation. A true opium for the people is a belief in nothingness after death–the huge solace of thinking that for our betrayals, greed, cowardice, murders we are not going to be judged.”

It's a dog's life.

It’s a dog’s life.

You might object by saying that you can be a nice lad or lass (even point out Sweden as a sociological examplewithout the afterlife and the threat of judgment hanging over your head. But Sweet Viking Jesus would tell you otherwise. Swedish ethics are influenced by revelation through and through, as is the rest of the West, and everyone influenced by globalism, meaning… pretty much everyone.

What’s more, those who aren’t believers (Swedes aren’t the only ones. Jag är ledsen!), but hang on to the Christian ethic of protecting the weak and the victims, are probably the worst fideists of all!

They are embedded in something they can’t justify, something whose origins they’ve willfully obscured, but deep down they know that empty phrases about Gilgamesh, Odin, or Kant won’t get them anywhere.

So, given where the world is heading, our eviscerated public square, and who is at the helm… how about we pray that there’s a Hell?

There is a caveat: nobody gets a free pass.

The musical coda is a song from Bill Mallonee that first got me thinking seriously about these issues way back when.

Orientalist Dreams of Poland as Catholiclandia (Part I)

The Papal States . . .

The Papal States . . .

. . . have Pope money!

. . . think the pope is money.

There are plenty of stereotypes floating in the seas of religious punditry. The so-called pundits are usually anchored in quite a circumscribed set of prejudices they project onto Poland. Both liberal and conservative leaning theologians like to think of my home country, for very different reasons, as a kind of Catholic Disneyland. Upon closer inspection these flattened Western pictures of Poland mirror what Edward Said labeled as Orientalism. They paint a picture of an exotic, backward, uncivilized, and at times dangerous culture. Poland as a mythical Catholiclandia is a haven for conservatives (where they have no NYT), while it’s a reactionary hell for liberals (possibly the only hell they believe in).

At the Dominicans in Krakow.

RJN singing the praises of Poland in Poland. The picture he presented was a bit fuzzy.

I remember seeing Richard John Neuhaus in Krakow (Summer 2007)  and being pleasantly surprised  by his Jack Nicholson voice. He spoke enthusiastically about Poland’s vibrant Catholic culture and its strong alliance with the United States against the secular-exception of Western Europe (in the context of a worldwide sea of religion) and added a few words in defense of capitalism. It was a (too?) bold reversal of the secularization thesis, which usually has Poland and the United States as the exceptions (in the tiny island of what used to be Western culture). I asked the poet Artur Grabowski what he thought of what Neuhaus said and he replied with, “I wish it were like that” (rough!). In retrospect it seems RJN was projecting a positively backward exoticism not only onto the homeland of Wojtyla, but also the USA.

Authors such as Hans Küng adopted different reductionist projects. Their Orientalist version of Poland was usually attached to an animus toward JP2 and an oversimplified picture of Poland’s past. They were convinced that someone who earned his chops in a black and white struggle against the commies couldn’t sees Poland as a place Church during the Communist era was clearly too simple. John Paul II didn’t connect with the complexities of the late modern West (questionable, but hey). My favorite example of this type of Orientalism was Peter Hebblethwaite who spent years hating John Paul II’s Polish stupidity. For years he was always the guy on CNN predicting who the next pope would be. The irony is he died before his book on the “next pope” was published, not to mention about a decade before John Paul II died.

With that quick setup  let’s start with the reasons why Poland, like Brazil, is not a Catholic utopia (and that’s OK):

Fr. Jozef Tischner grasped Solidarity.

Fr. Jozef Tischner grasped Solidarity.

1) Clericalism:  Fr. Jozef Tischner, Solidarity’s chaplain, Poland’s leading phenomenologist, spent the better part of his life fighting against Polish clericalism. The writings Poland’s leading literary figures, world class writers such as Witold Gombrowicz (atheist) and Czeslaw Milosz (Catholic), contain their fair share of anti-clericalism. With the help of phenomenology, personalism, and the mystics John Paul II put stress upon active lay holiness in ways unseen until his papacy.  Poles (including Polish clerics as you can see from the examples above) have always been healthily suspicious of Catholic clerics. You can figure out some of the reason for it by continuing to read below.

It's complicated.

It’s complicated.

2) Diversity: Until very recently Poland has always been a multi-ethnic and multi-religious country. This probably has something to do with the fact that for the better part of Poland’s history, pretty much since it came into existence in 986, the papacy usually sided with Poland’s enemies. This started with Rome’s favoritism toward the Holy [sic!] Roman Empire. Polish tolerance toward the Radical Reformation showcased its traditional tolerance until the Jesuits showed up. Poland also took in all the Jews who were expelled by Western Europe right around the same time. Nineteenth century Polish Romanticism, a significant political/literary movement (one of JP2’s greatest intellectual influences), also tended antagonize the hierarchy with its tendencies toward socialism and resistance against authoritarian regimes. Kloczowski’s A History of Polish Christianity is a magisterial overview of the variety of Polish Christianities, its history of religious pluralism and tolerance, plus it also covers intra-Polish-Catholic diversity.

Mickiewicz to Pius IX about the 1848 Revolution in France: "God's spirit is in the hearts of the Parisian people."

Mickiewicz to Pius IX about the 1848 Revolution in France: “God’s spirit is in the hearts of the Parisian people.”

Next I’ll tackle the following two interconnected phenomena: the collapse of Solidarity and the growing influence of Neo-Con inspired consumerism. [Catholiclandia II is now available here.]

The Ideological Winters of American Catholicism

"Excuse me. Are you the Judean People's Front?"

“Excuse me. Are you the Judean People’s Front?”

The average American parishioner is more faithful to the Democratic and Republican platforms than the Credo. Alasdair MacIntyre pithily noted this (classical) liberal creep in his classic Whose Justice? Which Rationality?:

“Liberalism is often successful in preempting the debate . . . so that [objections to it] appear to have become debates within liberalism. . . . So-called conservatism and so-called radicalism in these contemporary guises are in general mere stalking-horses for liberalism: The contemporary debates within modern political systems are almost exclusively between conservative liberals, liberal liberals, and radical liberals. There is little place in such political systems for the criticism of the system itself, that is, for putting liberalism in question.”

Our political picture isn't red or blue, it's more like grey.

Our political picture isn’t red or blue, it’s more like grey.

If you want proof the unity of opposites (on the classical liberal spectrum) then go no further than the recent ecclesiological suggestions of Ross Douthat and Anthony Paul Smith.

First, pay careful attention to the wording of Smith’s latest bit of writing for a general audience:

“To simplify the big and messy thing called Catholicism, let us just talk about one major split: between the official church leaders charged with safeguarding its teaching and the estimated 1.2 billion everyday believers around the world.”

Now compare this with the takeaway from Douthat’s February takedown of the Neuhaus Catholic Moment:

“Nothing that happens in Rome over the next few months is likely to convert the Acela Corridor’s donors and strategists and think tankers to a more Catholic-friendly worldview. The next pope may be more effective than Benedict, or he may be clumsier; he may improve the church’s image in this country, or he may worsen it.

But if there is another Catholic moment waiting in our nation’s future, it can only be made by Americans themselves.”

There are many heads, but only one Ύδρα.

There are many heads, but only one Ύδρα.

Are we seriously supposed to entertain the possibility that a fight where the laity slays the hierarchy is the only tactically viable maneuver for the Catholic Church?! This sounds like suicide through competition to me. It echoes the fight between the People’s Front of Judea against the Judean People’s Front in Monty Python’s “Life of Brian.” The film is a comedy for those of you who missed it.

Michael Sean Winters, in a recent repost of a long-lost article, proposes the work of David Schindler as one possible way to do an end-around the whole classical liberal Hydra represented by Smith and Douthat: 

“The usual view of contemporary Catholic theology sees two camps the liberals who succeeded in opening the Church to the world at Vatican II and who have been in decline in the era of John Paul II, and the conservatives who think the Church went too far in the 1960s to accommodate the world, and support what they see as John Paul’s restorationist program. Schindler argues for (if you’ll pardon the expression) a third way. In his analysis, the liberals want more accommodation with the world and conservatives want less accommodation with the world, but they are still arguing about the rules of engagement. And both fail to appreciate the radicalness of the scriptural claim that ‘in [Jesus] everything in heaven and on earth was created.’

For Schindler, the Christian must always consider the claims of faith first, and those claims extend to the entirety of his or her life. Classical liberalism claims that in the realms of the ontological and the sectarian, the polity has no preference: a Christian is free to pursue his faith and any citizen can make whatever truth claims about the universe that he wishes. To use Murray’s distinction, the Bill of Rights are not ‘articles of faith’ but ‘articles of peace.’ But, Schindler asks, are there not truth claims, religious truth claims, already implicit in this putatively ‘neutral’ state?

Specifically, Schindler argues that Thomistic dualism is the sine qua non of liberal political regimes and, therefore, the neutrality of the liberal state is a sham. Murray’s “articles of peace” formulation assumes a logical priority for freedom before truth, and inevitably issues in a ‘privatization’ of religion. Since the Church is prevented from approaching the world ‘as Church’ (welcome, but please leave your dogma at the door!) it is reduced to the role of an ethical authority. This role, in turn, shapes the Church’s self-understanding so that what results is not only the secularization of society that the neo-conservatives decry, but also the secularization of religion itself. Being ‘Christian’ is reduced to being kind.”

The classic text where Schindler makes these arguments.

The classic text where Schindler makes these arguments.

Working out his project seems to be the only viable alternative to this:

Catholic-Bashing: America’s Last Acceptable Prejudice (Vis–à–Vis the Fortnight for Freedom Campaign)

But don't they have it coming?

But don’t they have it coming to them?

[The contents of this post have been slightly modified for this repost.]

Systematic prejudice in America is rightfully in the spotlight again after yesterday’s verdict in Florida. The reaction to it reminded me of an article by Philip Jenkins, a sociologist who is America’s most even-handed commentator on religion. The article below summarizes the argument of one of his most important books The New Anti-Catholicism: The Last Acceptable Prejudice.

The irony is that anti-Catholicism is so pervasive in the United States that it’s invisible. The biased coverage of the priest sex-abuse scandals is one recent example that’s also the subject of another book by Jenkins, Priests and Pedophiles. 

I also dug out this article because of a bigoted anti-Catholic comment today on my Kristeva post by someone named “Frank.” I initially wanted to respond to it, but the whole thread landed in this blog’s trashcan. I realized something on the level of Chick Tracts and Maria Monk doesn’t dignify a reply.

Good riddance.

Good riddance. [Photo: St. James Cathedral Vandalized]

The whole episode also reminded me that Seattle’s St. James Cathedral was recently defaced by graffiti and that my own parish, Blessed Sacrament, is presently subject to various threats by a vandal. I don’t usually think of these things too often, because they don’t seem unusual. It’s also yet another reason why the bishops should be more reserved about clothing their arguments in American rhetoric and imagery.

It’s been pointed out by Justin Tse of Religion Ethnicity Wired that the argument Jenkins advances might suffer from some of the same nationalist shortcomings that plagued the Fortnight Campaign. This is because Jenkins seems to propose that Catholics should borrow strategies from other American victim groups and work within the American system instead of distancing themselves from it. You decide!

===========

The following article initially appeared in the May 2003 issue of Catalyst Magazine.

“Catholic-Bashing: America’s Last Acceptable Prejudice”

U.S. groups that are scrupulously PC about offending religious institutions make one major exception: the Roman Catholic Church.

BY: Philip Jenkins

For readers of Catalyst, expressions of anti-Catholic bigotry scarcely come as a surprise. Over the years, we have come to expect that media treatments of the Church, its clergy and its faithful will be negative, if not highly offensive, and Catholic organizations try to confront the worst manifestations of prejudice. When such controversies erupt, the defenders of the various shows or productions commonly invoke a free speech defense. These productions are just legitimate commentary, we hear, so offended Catholics should just lighten up, and learn not to be hyper-sensitive. Sometimes, defenders just deny that the allegedly anti-Catholic works are anything like as hostile as they initially seem to be. All these arguments, though, miss one central point, namely that similarly controversial attacks would be tolerated against literally no other group, whether that group is religious, political or ethnic.

The issue should not be whether film X or art exhibit Y is deliberately intending to affront Catholics. We should rather ask whether comparable expressions would be allowed if they caused outrage or offense to any other group, whether or not that degree of offense seems reasonable or understandable to outsiders. If the answer is yes, that our society will indeed tolerate controversial or offensive presentations of other groups-of Muslims and Jews, African-Americans and Latinos, Asian-Americans and Native Americans, gays and lesbians- then Catholics should not protest that they are being singled out for unfair treatment. If, however, controversy is out of bounds for these other groups-as it assuredly is-then we certainly should not lighten up, and the Catholic League is going to be in business for a very long time to come.

It is easy to illustrate the degree of public sensitivity to images or displays that affect other social or religious groups-but how many of us realize how far the law has gone in accommodating the presumed privilege against offense? Witness the legal attempts over the last two decades to regulate so-called “hate speech.” American courts have never accepted that speech should be wholly unrestricted, but since the 1980s, a variety of activists have pressed for expanded laws or codes that would limit or suppress speech directed against particular groups, against women, racial minorities and homosexuals. The most ambitious of these speech codes were implemented on college campuses. Though many such codes have been struck down by the courts, a substantial section of liberal opinion believes that stringent laws should restrict the right to criticize minorities and other interest groups.

But if these provisions had been upheld in the courts, what would they have meant for recent Catholic controversies? One typical university code defines hate speech “as any verbal speech, harassment, and/or printed statements which can provoke mental and/or emotional anguish for any member of the University community.” Nothing in the code demands evidence that the offended person is a normal, average character not over-sensitive to insult. According to the speech codes, the fact of “causing anguish” is sufficient. Since the various codes placed so much emphasis on the likelihood of causing offense, rather than the intent of the act or speech involved, the codes might well have criminalized art exhibits like, oh, just to take a fantastic example, a photograph of a crucifix submerged in a jar of urine.

Above all, Piss Christ is shitty art.

Above all, Piss Christ is crappy art.

The element of “causing offense” is central to speech codes. At the University of Michigan a proposed code would have prohibited “any behavior, verbal or physical, that stigmatizes or victimizes an individual on the basis of race, ethnicity, religion, sex, sexual orientation, creed, national origin, ancestry, age, marital status, handicap, or Vietnam-era veteran status.” “Stigmatization and victimization” are defined entirely by the subjective feelings of the groups who felt threatened. In 1992, the US Supreme Court upheld a local statute that prohibited the display of a symbol that one knows or has reason to know “arouses anger, alarm or resentment in others on the basis of race, color, creed, religion or gender.” The implied reference is to a swastika or a burning cross, but as it is written, the criterion is that the symbol causes “anger, alarm or resentment” to some unspecified person. These were precisely the reactions of many Catholic believers who saw or read about the “Piss Christ” photograph, or the controversial displays at the Brooklyn Museum of Art.

Other recent laws have taken full account of religious sensibilities, at least where non-Catholics are concerned. Take for instance the treatment of Native American religions, and the presentation of displays that (rightly) outrage Native peoples. In years gone by, museums nonchalantly displayed Indian skeletons in a way that would be unconscionable for any community, but which was all the more offensive for Native peoples, with their keen sensitivity to the treatment of the dead. In 1990, Congress passed NAGPRA, the Native American Graves Protection and Repatriation Act, which revolutionized the operation of American museums and galleries by requiring that all Indian remains and cultural artifacts should be repatriated to their tribal owners. As a matter of federal criminal law, NAGPRA established the principle that artistic and historical interests must be subordinate to the religious and cultural sensibilities of minority communities.

Even so, museums and cultural institutions have gone far beyond the letter of this strict law. They have systematically withdrawn or destroyed displays that might cause the slightest offense to Indian peoples, including such once-familiar displays as photographs of skeletons or grave-goods. In South-Western museums today, one commonly sees such images replaced with apologetic signs, which explain gaps in the exhibits in terms of new cultural sensitivities. Usually, museums state simply that the authorities of a given tribe have objected to an exhibit because it considers it hurtful or embarrassing, without even giving the grounds for this opinion, yet that is enough to warrant removal. When disputes arise, the viewpoint of the minority group must be treated as authoritative. Just imagine an even milder version of this legal principle being applied to starkly offensive images like those at the Brooklyn Museum of Art. If Native religion deserves respect and restraint on the part of commentators-as it assuredly does-why doesn’t Catholicism merit similar safeguards?

Beyond the legal realm, time and again we see that media outlets exercise a powerful self-censorship that suppresses controversial or offensive images, whether or not that “offense” is intended: and again, this restraint applies to every group, except Catholics. Over the years, the film industry has learned to suppress images or themes that affect an ever-growing number of protected categories. The caution about African-Americans is understandable, given the racist horrors in films of bygone years, but the present degree of sensitivity is astounding. Recall last year’s film “Barbershop,” in which Black characters exchange disrespectful remarks about such heroic figures as Rosa Parks and Martin Luther King, and more questionable characters like O. J. Simpson and Jesse Jackson. Though this was clearly not a racist attack, the outcry was ferocious: some things simply cannot be said in public. Jesse Jackson and Al Sharpton led an intense campaign to delete these touchy references.

And other social groups have learned these lessons about self-censorship. Asian-Americans and Latinos have both made it clear that the once-familiar stereotypes will no longer be tolerated, and Hollywood takes their complaints to heart. By the early 1990s, too, gay groups had achieved a similar immunity. When, in 1998, the film “The Siege” offered a (prescient) view of New York City under assault by Arab terrorists, the producers thought it politic to work closely with Arab-American and Muslim groups in order to minimize charges of stereotyping and negative portrayals. Activists thought that any film depicting how “Arab terrorists methodically lay waste to Manhattan” was not only clearly fantastic in its own right, but also “reinforces historically damaging stereotypes.” As everyone knew, Hollywood had a public responsibility not to encourage such labeling.

Yet no such qualms affect the making of films or television series that might offend America’s sixty million Catholics. Any suggestion that the makers of such films should consult with Catholic authorities or interest groups would be dismissed as promoting censorship, and a grossly inappropriate religious interference with artistic self-expression. The fuss over whether a film like “Dogma” or “Stigmata” is intentionally anti-Catholic misses the point. The question is not why American studios release films that will annoy and offend Catholics, but why they do not more regularly deal with subject matter that would be equally uncomfortable or objectionable to other traditions or interest groups. If they did so, American films might be much more interesting, in addition to demonstrating a new consistency.

If works of art are to offend, they should do so on an equal opportunity basis. If we have to tolerate such atrocities as “Sister Mary Ignatius Explains It All For You”-recently revived as a Showtime special-then why should we not have merry satires poking fun at secular icons like Matthew Shepard or Martin Luther King? If, on the other hand, it is ugly and unacceptable even to contemplate an imaginary production of “Matthew Explains It All,” poking fun at victims of gay-bashing, then why should we put up with Sister Mary? Some consistency, please.

Let me end with a suggestion. By all means, let the Catholic League continue to report offensive depictions of Catholics and their church. But to put these in perspective, always remember to record these many other controversies, in which other groups succeed in enforcing their right to be free from offense. Only then can Catholic-bashing be seen for what it is, America’s last acceptable prejudice.

Famous Atheists Who Weren’t Atheists 3: Warhol’s Byzantine Iconoclasm & the Mystery of Blau’s Bafflement

Modernity: you can touch, but there isn't much in there you can eat.

Consumerism: you can touch, but there isn’t much in there you can eat.

You’d be surprised how many Christian academics with cushy jobs at state schools are gloating over the demise of the humanities in the “secular” academe during the latest round of budget cuts. They think the cuts will result in fewer people getting degrees in post-colonial studies, therefore fewer students will become polluted by them (and we’ll have fewer students overall). In turn all those saved from the evils of scholarship will be taught “responsibility” in the “real world” by the dynamic McDonald’s jobs our presidents have been creating for us over roughly the last thirty-three years (Jesus!). Some will even chide you for not respecting the “dignity” of these “workplaces.”

It’s difficult to dispense with ironic quotation marks when you see armchair theologians using these catchwords. Words which were maybe meaningful, say, about a hundred years ago. What they don’t seem to know is how much the humanities have recognized they need to extricate themselves from the dead-ends of identity politics. Ironically, all the while, many seminaries are only now discovering these same intellectual trends and jumping at them as if they were the royal road to relevance.

Nihilistic artists such as Andy Warhol are sometimes the targets of these, I believe, sincere attacks.  They say it’s better that our children don’t get exposed to postmodernism if they are to keep their faith. Yet, it turns out Warhol was a faithful Byzantine Catholic who participated in Mass frequently, carried around a missal and a rosary, financed a nephew’s studies for the priesthood, and might have remained a virgin all his life.

Despite popular prejudices to the contrary these biographical details did discretely spill out into his art. He did a cycle of nearly 100 variations on the Last Supper, which the Guggenheim folks think “indicates an almost obsessive investment in the subject matter.” Or as I’d have it: devotion.

Is there anything consumerism can't absorb?

Is there anything consumerism won’t absorb? To paraphrase Robert Musil: clean hands don’t necessarily imply a clear conscience.

In my estimates, the painting above is a fine bit of iconoclasm, part of a long tradition of busting idols, going all the way back to the most riveting (and slightly embarrassing) episodes in the Hebrew Bible.  It takes the hammer to our daily idols by transposing them upon the Real Presence they cannibalize. I know it’s not the most aesthetically pleasing work of art, but neither is the process of consumerist absorption it depicts.

My line of reasoning gets even more twisted, more Rabelaisian, as I know from my own experience at a secular university. Even the most secular academic culture can bring up (and even answer) some of the ultimate questions that are at the heart of religion.  By the time I was at the University of Washington I thought I had the boring paleo-nationalism of Polish-American Catholicism behind me. While majoring in history, Slavic, and ultimately comparative religion, I was fascinated by how much my professors deeply appreciated the artifacts of Christian culture, while doing their best to disarm the way of life and beliefs that stood behind them. There was obviously something dangerous about it. This got me thinking. And to make a long story short, I ended up reverting to Catholicism at a secular university. Some of this was the result of taking classes with outstanding Christian intellectuals such as Eugene Webb and James Felak.

Herbert Blau still keeps me on my toes.

Herbert Blau’s bafflement keeps me on my toes and in the pews.

But it wasn’t only the faithful remnant who taught me about faith. Actually, people who work outside of religious studies are given more leeway than those within them. It’s because they aren’t always required to bracket off the truth content of what they’re teaching. One prime example is the recently deceased professor of theater, Herbert Blau, an American theater pioneer who was a close friend of Samuel Beckett. I’m still reeling from his passing, because I miss his encouragement and the intensity he brought to teaching the importance of ultimate questions (to students who weren’t always aware they exist).

Here is the essence of his teaching method, “I often say to my students, ‘When I know what I think, I couldn’t care less. It’s when I don’t know what I think, when I’m utterly baffled, that I really like it, because that’s when I have to keep thinking. It keeps the mind going.”

His own inability to believe, perhaps his inability to accept grace, was one of the things that baffled Blau. He was willing to talk about it to whomever wanted to listen. The seriousness with which he took these questions would blow many a catechist out of the water. His influence keeps me going in trying to understand the Catholic tradition and its significance for my own life, my family, and our community.

Perhaps the world and the academy are much more mysterious than we make them out to be? After all, we shouldn’t forget we live in a post-Christian culture where everything, even the very concepts anyone thinks in, are half baptized. Let’s be a bit more charitable toward it and call off the undertakers unless we want to saw off the branch we’re sitting on.

Couldn’t help myself:

Pope art.

Pope art.

Nota Bene: Don’t miss the Sartre and Camus installments in the “Famous Atheists Who Weren’t Atheists” series.